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The pair of releases shared to date by the group Ashnymph are hard to categorise: their own description of the sound as “subconscioussion” provides few hints. Their initial track Saltspreader married a heavy mechanical drumming – bandmember Will Wiffen has occasionally been spotted on stage wearing a T-shirt that features the symbol of Godflesh, icons of industrial metal – with vintage-sounding synthesisers and a guitar line that vaguely recalls the classic Stooges track I Wanna Be Your Dog, before melting into a wall of disquieting noise. The planned result, the band has indicated, was to conjure highway journeys, “the endless movement of vehicles all day long over huge distances … orange lights at night”.

The next release, the song Mr Invisible, occupies a space between nightclub tunes and left-field alt-rock. Firstly, the cut's tempo, strata of mesmerizing synths, and singing that comes either hallucinogenically distorted or spellbindingly cyclical in a way that recalls Dubnobasswithmyheadman-era Underworld all indicate the club floor. Alternatively, its powerful concert-like energy, near-anarchic character and fuzz – “making everything sound crunchy is a long-term goal,” Wiffen has said – set it apart as undeniably a band creation rather than a bedroom-bound producer. They've gigged around south London’s DIY scene for a short time, “any spot with loud speakers”.

But each is thrilling and unique – from each other and contemporary releases – to make you wonder about what Ashnymph might do next. Whatever it is, on the strength of these tracks, it’s probably not dull.

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